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Help to shape the future of music by joining
CoMA’s commissioning scheme
Graphic scores
Treatise - An enigmatic challenge
Stephen Chase reports on COMA Yorkshire's Treatise workshop and performance
On indeterminate notation
John Tilbury celebrates Cornelius Cardew's experimental scores
All scores are graphic; but some are more graphic than others
Kerry Andrews looks at relations between scores and images
Earle Brown
David Ryan on the work of Earle Brown
Music and politics
Music, politics and the future by Tommy Fowler
The politics of composing, performing and listening By Michael Parsons
How can music help? By Tom Service
The art and politics of free improvisation By Douglas Finch
Experimental Musical Instruments
Bart Hopkin, editor of Experimental Musical Instruments, looks at the inspiration behind creative musical instrument making
New and rediscovered instruments
Max Eastley outlines the possibilities of workshops on new and rediscovered instruments
Vocal Repertoire
Contemporary vocal music
Daryl Runswick selects well-known contemporary vocal music for musicians of all levels of experience
Writing new music for the oldest instrument.
By Dominic McGonigal, director of COMA Voices
Open Score
Writing for COMA by Diana Burrell, Open Score Artistic Director 2003-4.
Click here to download the article, which first appeared as a two part series in the COMA newsletter.
Other
Infinite possibilities...?
Tom Service on what researching repertoire can mean for COMA's futur